A Trek Beyond the Stars

startrek-relevant

One of the words that often orbits around conversations concerning J. J. Abrams take on Star Trek is “relevant.” Specifically, people talk about how Abrams and crew took something that seemed out of touch and stagnant with modern conceptions of sci-fi and made it relevant again. This bugs me, because my question is what did he make it relevant to? I enjoyed the movie, it has satisfying character arcs, a great ensemble cast, slick production and is a great way to effortlessly pass two hours, but that doesn’t make a film relevant. It makes it entertaining. And there’s nothing wrong with that…unless you want a “Star Trek” film. Continue reading

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Iron Man 3 (2013)

ironman3-lethargic

It’s astounding the number of problems Iron Man 3 has at the screenwriting level. Basic issues of character motivation, logical consistency, pacing and delivery of information plague this third installment. To the film’s credit, it avoids the tendency of piling on too many villains and subplots, but instead replaces it with a film that doesn’t end up taking the characters to any new place. The film simply maintains the status quo. Continue reading

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An American in Paris (1951)

americaninparis-oddromance

Dancing and singing are delightful in An American in Paris. When the notes start and Gene Kelly’s feet begin to move, the film is transcendent. But once the notes taper off, the film’s story is overwrought with trite romanticism and bad characterizations. Yes, it seems in bad taste to accuse a musical for being too romantic but it absolutely cripples An American in Paris. Continue reading

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Month in Review: April 2013

1. Irma Vep
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Mud (2012)

mud-boat

Mud leads with its themes. Young Ellis’ (Tye Sheridan) fascination with the titular Mud (Matthew McConaughey) embodies his aspirations for his manhood, albeit one with an undercurrent of violent tendencies. This gives the film a fascinating entry-point into exploring issues of masculinity, violence and a man’s role in a romantic relationship. But it also means that many scenes play to further these themes. As a result, the storytelling isn’t always as strong as it should be. Continue reading

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